Valley Of The Queens Luxor sightseeing 1560 BCE to 1130 BCE
Valley Of The Queens in Luxor
Valley of the Queens Overview and Geographical Location
The Valley of the Queens, known in ancient Egyptian as Ta-Set-Neferu (“The Place of Beauty” or “The Place of the Royal Children”), is a significant archaeological site located on the west bank of the Nile River in Luxor, Egypt, at coordinates 25°43′39″N 32°35′35″E. It forms part of the larger Theban Necropolis, situated near the ancient city of Thebes and in close proximity to the Valley of the Kings. The site comprises a main wadi housing the majority of tombs, along with subsidiary valleys such as the Valley of Prince Ahmose, the Valley of the Rope, the Valley of the Three Pits, and the Valley of the Dolmen. The main wadi contains 91 tombs, while the subsidiary areas add another 19, primarily from the 18th Dynasty. A notable feature is an ancient trail in the Valley of the Dolmen used by workmen from the nearby village of Deir el-Medina, which includes a small rock-cut temple dedicated to the gods Ptah and Meretseger.
The geology of the area consists of layered limestones, marls, clays, chalks, shale, anhydrite, gypsum, and halite, shaped by tectonic activity during the Pliocene and Pleistocene eras, including faulting, slumping, and tilting. This fragile composition makes the site vulnerable to environmental damage, such as flash floods that cause clay expansion and shrinkage, leading to rockslides and structural instability in the tombs.
Historical Significance and Periods of Use
The Valley served as a royal burial ground from approximately 1560 BCE to 1130 BCE, spanning the 18th, 19th, and 20th Dynasties of the New Kingdom. It was primarily used for the interment of queens, princesses, princes, and other high-ranking royals and officials, while pharaohs were buried in the adjacent Valley of the Kings. The site’s selection may have been influenced by its location near Deir el-Medina and a sacred grotto dedicated to the goddess Hathor at the entrance, symbolizing rejuvenation in the afterlife.
During the 18th Dynasty, the tombs were simpler and often shared among royal children and nobles. By the 19th Dynasty, usage became more exclusive to royal women, with tombs prepared in advance. The 20th Dynasty saw continued burials for wives and sons of pharaohs like Ramesses III, but economic issues, including worker strikes and tomb robberies, marked the period. After the New Kingdom, the site was no longer used for royal burials during the Third Intermediate Period. Instead, tombs were reused extensively, with modifications for multiple interments. In the Ptolemaic and Roman Periods, it saw renewed activity as a general burial site. By the Coptic Period (up to the 7th century CE), some tombs were occupied by Christian hermits, who plastered over pagan scenes and added Christian symbols.
In 1979, the Valley of the Queens was designated a UNESCO World Heritage Site as part of “Ancient Thebes with its Necropolis,” recognized for its cultural and historical value under criteria i, iii, and vi

Notable Tombs and Occupants
The Valley contains over 110 tombs in total, with varying complexity across dynasties. Here’s a breakdown of some key examples:
| Dynasty | Tomb Designation | Notable Occupant(s) | Key Features/Notes | 
|---|---|---|---|
| 18th | QV 89-91 (Shaft Tombs in Valley of Three Pits) | Royal princes, princesses, and nobles | Simple chamber-and-shaft design; extended for multiple burials; part of 57 identified 18th Dynasty tombs. | 
| 18th | Tomb of Princess Ahmose | Princess Ahmose, daughter of Seqenenre Tao and Queen Sitdjehuti | One of the earliest tombs, dating to Thutmose I’s reign; reflects early use for royal children. | 
| 19th | QV 38 | Queen Satre (wife of Ramesses I) | Likely the first 19th Dynasty tomb, completed under Seti I; exclusive to royal women. | 
| 19th | QV 66 | Queen Nefertari (Great Royal Wife of Ramesses II, 1290–1224 BCE) | Most famous tomb; features elaborate polychrome reliefs depicting afterlife scenes; one of the largest and best-preserved. | 
| 20th | QV 60 | Princess-Queen Nebettawy (daughter-wife of Ramesses II) | Later reused in Coptic Period with Christian modifications. | 
| 20th | QV 73 | Princess Henuttawy (daughter of Ramesses III) | Occupied by Coptic hermits; walls altered with Christian symbols. | 
| Various | Subsidiary Valleys (e.g., Valley of Prince Ahmose) | Princes and high officials | Includes tombs like those in the Valley of the Dolmen; some artifacts misattributed but actually from nearby Wadi Bairiya. | 
Tombs from the 19th and 20th Dynasties are more elaborate, often rock-cut with vibrant wall paintings, while earlier ones are basic shafts leading to chambers. Some 20th Dynasty tombs were constructed until at least Ramesses VI’s reign, as documented in the Turin Papyrus.
Excavations and Discoveries
Excavations began in earnest in the early 20th century, led by Italian archaeologists Ernesto Schiaparelli and Francesco Ballerini, who uncovered many tombs between 1903 and 1905. Their work revealed the site’s extent and the richness of its decorations. Ongoing assessments, such as those by the Getty Conservation Institute (detailed in reports from 2012 and 2016), have focused on the condition of 111 tombs from the New Kingdom dynasties, addressing issues like flood damage and salt crystallization.
Key Egyptologists involved include Aidan Dodson, Dyan Hilton, Bertha Porter, Rosalind Moss, and more recent contributors like Martha Demas and Neville Agnew. Discoveries have included polychrome reliefs, canopic jars, and evidence of reuse, though some artifacts (e.g., for figures like Henut and Menkheperre) were later traced to nearby sites rather than the Valley itself.
Architectural Features and Conservation Challenges
Tombs vary in design: 18th Dynasty examples are straightforward with shafts and chambers, sometimes expanded. Later dynasties feature more complex layouts with corridors, antechambers, and burial halls adorned with reliefs depicting mythological scenes. Ancient plasters, possibly gypsum- or clay-based, were used for walls, varying in color and durability.
The site faces threats from natural elements like floods and groundwater, which cause salt damage to paintings, as well as human impacts from tourism (e.g., humidity, graffiti, and physical contact). Bat colonies in open tombs pose additional risks through corrosion and health hazards. Conservation efforts include installing protective shelters, air circulation systems, plexiglass barriers, wooden floors, and timed visitor access. Some tombs remain closed to the public to preserve them.
Cultural Importance and Myths
The Valley’s ancient name underscores its role in Egyptian beliefs about the afterlife, linking to Hathor’s regenerative powers. Myths tie the site to rejuvenation themes, with the Hathor grotto symbolizing protection for the deceased. Its transition to Coptic use reflects cultural adaptation, blending pagan and Christian elements. Today, it remains a vital link to Egypt’s regal past, drawing tourists while highlighting the need for balanced preservation.
Overview of Queen Nefertari’s Tomb (QV 66)
Queen Nefertari’s tomb, designated QV 66, is located in the Valley of the Queens, part of the Theban Necropolis on the west bank of the Nile near Luxor, Egypt. Nefertari, the Great Royal Wife of Pharaoh Ramesses II (reigned 1279–1213 BCE), was one of the most prominent queens of the 19th Dynasty. Her tomb, constructed around 1255 BCE, is renowned for its elaborate design, vibrant polychrome wall paintings, and exceptional state of preservation, making it one of the finest examples of New Kingdom funerary art. Often referred to as the “Sistine Chapel of Egypt,” QV 66 stands out for its artistic and architectural sophistication.

Location and Layout
Situated in the main wadi of the Valley of the Queens, QV 66 is a rock-cut tomb with a complex, multi-chambered structure typical of high-status burials from the 19th Dynasty. The tomb spans approximately 520 square meters and descends into the limestone bedrock of the Theban hills. Its layout includes:
- Entrance and Descending Corridor: A steep staircase leads into the tomb, transitioning into a corridor with painted walls.
- Antechamber: A square room with four pillars, serving as a transition space adorned with scenes of Nefertari and deities.
- Side Chambers: Smaller rooms branching off the antechamber, used for storage of funerary goods.
- Burial Chamber: The main chamber, with a sunken central area, four pillars, and a vaulted ceiling, where Nefertari’s sarcophagus was placed.
- Additional Corridors and Niches: Connecting passages and recesses, some containing ritual objects or additional decorations.
The tomb’s design reflects a shift from the simpler shaft tombs of the 18th Dynasty to the more elaborate, purpose-built structures of the 19th Dynasty, reserved primarily for royal women.
Artistic Features and Iconography
The tomb’s walls are covered with vivid, well-preserved polychrome reliefs, painted on a plaster layer over limestone, depicting Nefertari’s journey to the afterlife. Key artistic elements include:
- Materials and Techniques: The paintings use mineral-based pigments (e.g., malachite for green, ochre for red and yellow, and carbon-based black) applied to a smoothed plaster surface. The reliefs are carved in low relief and painted with fine detail, showcasing the skill of ancient Egyptian artisans.
- Iconography:- Antechamber: Scenes depict Nefertari offering to gods like Osiris, Anubis, and Hathor. She is shown in elegant, flowing robes, often with a vulture headdress and broad collar necklace, symbolizing her divine status.
- Burial Chamber: Contains excerpts from the Book of the Dead, particularly chapters related to the afterlife journey. Notable scenes include Nefertari playing senet (a symbolic game tied to fate), passing through the gates of the underworld, and being judged before Osiris. The ceiling is painted with a starry sky, representing the celestial realm.
- Deities and Symbols: Gods like Isis, Nephthys, and Ma’at appear frequently, alongside protective symbols such as the djed pillar (stability) and ankh (life). The tomb emphasizes Nefertari’s divine protection and eternal life.
 
- Style: The figures are rendered in the classic Egyptian profile view, with vibrant colors and meticulous attention to detail, such as Nefertari’s delicate facial features and ornate jewelry. The tomb’s artistry rivals that of the finest in the Valley of the Kings.
The tomb’s vivid preservation is attributed to its limited exposure to flooding and looting compared to other tombs, though it has faced modern conservation challenges.
Discovery and Excavation
QV 66 was discovered in 1904 by Italian archaeologist Ernesto Schiaparelli during his excavations in the Valley of the Queens (1903–1905). The tomb was found largely intact, though it had been looted in antiquity, with Nefertari’s mummy and most grave goods missing. Fragments of her pink granite sarcophagus lid, canopic jars, and shabti figures were recovered, along with minor artifacts like sandals and pottery. The tomb’s exceptional wall paintings were immediately recognized as a masterpiece, drawing global attention.
Conservation Challenges and Efforts
Despite its initial state of preservation, QV 66 has faced significant deterioration due to environmental and human factors:
- Natural Threats: The tomb’s limestone and plaster are susceptible to salt crystallization caused by groundwater and humidity fluctuations. Flash floods in the Valley of the Queens have historically damaged similar tombs, though QV 66 has been less affected.
- Human Impact: Early 20th-century tourism increased humidity levels, causing plaster to crack and pigments to fade. Physical contact and graffiti further damaged surfaces.
- Conservation Work: In the 1980s, the tomb’s condition prompted a major restoration project by the Getty Conservation Institute and the Egyptian Antiquities Organization (1986–1992). The project involved stabilizing plaster, cleaning paintings, and applying protective coatings. The tomb was closed to the public in the early 2000s to prevent further damage but was reopened in 2016 with strict visitor limits (e.g., small groups, timed entries, and controlled humidity). Modern measures include plexiglass barriers, improved ventilation, and monitoring systems.
Cultural and Historical Significance
Nefertari’s tomb reflects her elevated status, as she was one of Ramesses II’s most favored wives, known for her diplomatic role (e.g., correspondence with Hittite queens during the peace treaty of 1258 BCE). The tomb’s grandeur underscores her importance, with inscriptions and imagery portraying her as a divine figure, often equated with goddesses like Hathor. The use of Book of the Dead spells highlights Egyptian beliefs in the afterlife, emphasizing protection and resurrection.
The tomb’s cultural impact extends to modern times, as it remains a major attraction in the Valley of the Queens, drawing scholars and tourists. Its designation as part of the UNESCO World Heritage Site “Ancient Thebes with its Necropolis” (1979) underscores its global significance. The tomb’s preservation challenges also highlight broader issues in balancing tourism with archaeological conservation.

Visiting QV 66
Today, access to QV 66 is highly restricted to preserve its fragile paintings. Visitors require a special ticket (often costing significantly more than standard Valley of the Queens entry, approximately $50–100 USD as of recent reports, though exact prices should be checked at https://x.ai/grok for updates). Only small groups (e.g., 10–15 people) are allowed daily, with tours lasting about 10–15 minutes to minimize humidity exposure. Photography is strictly prohibited inside the tomb to prevent flash damage to pigments.
Notable Artifacts and Current Status
While most of Nefertari’s burial goods were looted, surviving artifacts include:
- Fragments of her pink granite sarcophagus, now in the Turin Museum (Italy).
- Canopic jar fragments, used for preserving organs.
- Small items like sandals and faience amulets, indicating the tomb’s original wealth.
The mummy of Nefertari has not been definitively identified, though a set of legs found in QV 66 was analyzed in 2016 and suggested as possibly hers, based on DNA and chemical studies. The tomb remains a focal point for Egyptological research, with ongoing studies of its pigments and plaster techniques contributing to broader conservation knowledge.
Conclusion
QV 66 is a testament to Nefertari’s status and the artistic prowess of the 19th Dynasty. Its intricate design, vivid paintings, and symbolic richness offer a window into ancient Egyptian beliefs about death and divinity. Despite conservation challenges, ongoing efforts ensure its legacy endures, making it a highlight of the Valley of the Queens and a must-see for those exploring Egypt’s ancient heritage. For further details on visiting or pricing, HurghadaToGo.com
Overview of Book of the Dead Spells in Queen Nefertari’s Tomb (QV 66)
The Book of the Dead, a collection of ancient Egyptian funerary texts, is prominently featured in the wall paintings of Queen Nefertari’s tomb (QV 66) in the Valley of the Queens. These texts, used primarily during the New Kingdom (ca. 1550–1070 BCE), consist of spells intended to guide and protect the deceased in the afterlife, ensuring their safe passage through the underworld (Duat) and eternal existence. In QV 66, the spells are carefully selected and visually represented to reflect Nefertari’s royal status and her journey to divine immortality. The tomb’s artwork integrates these spells with vivid polychrome reliefs, making it one of the finest examples of their application in a royal burial context.
Context and Purpose of the Book of the Dead
The Book of the Dead is not a single book but a compilation of approximately 200 spells, varying by individual tomb or papyrus. These spells, derived from earlier Pyramid Texts and Coffin Texts, were inscribed on tomb walls, papyri, or funerary objects to:
- Protect the deceased from dangers in the underworld.
- Ensure safe passage through obstacles, such as gates guarded by demons.
- Facilitate the deceased’s transformation into an eternal being, often identified with Osiris or other deities.
- Provide magical knowledge for navigating the afterlife, including spells for food, movement, and divine judgment.
In Nefertari’s tomb, the spells are tailored to her status as a Great Royal Wife of Ramesses II, emphasizing her divine connection to gods like Osiris, Anubis, Isis, and Hathor, and her role in the cosmic order.
Specific Spells in QV 66
While the exact spells in QV 66 are not fully cataloged in all sources, the tomb prominently features chapters from the Book of the Dead that are commonly associated with royal burials of the 19th Dynasty. Below are key spells and themes depicted in the tomb’s reliefs, based on Egyptological studies:
- Spell 17:- Purpose: One of the most frequently used spells, it invokes divine protection and identifies the deceased with the sun god Ra and Osiris, ensuring rebirth and eternal life.
- Depiction in QV 66: In the antechamber and burial chamber, Nefertari is shown offering to Osiris and Ra, with accompanying hieroglyphs referencing her transformation into a divine being. The spell’s text emphasizes her ability to “rise like Ra” each day, symbolizing cyclical rebirth.
- Visual Elements: Scenes of Nefertari before Osiris, with solar and lunar imagery, reflect this spell’s focus on cosmic renewal.
 
- Spell 125 (The Weighing of the Heart):- Purpose: Known as the “Judgment of the Dead,” this spell describes the deceased’s heart being weighed against the feather of Ma’at (truth and justice) in the presence of Osiris. A balanced heart ensures entry to the afterlife.
- Depiction in QV 66: A prominent scene in the burial chamber shows Nefertari before Osiris, Anubis, and Ma’at, with scales and the devourer Ammit nearby. The spell’s text, inscribed in hieroglyphs, outlines Nefertari’s purity and moral integrity.
- Visual Elements: The detailed portrayal of the judgment scene, with Nefertari’s heart deemed worthy, underscores her divine favor and readiness for eternity.
 
- Spells 144–147 (Gates of the Underworld):- Purpose: These spells provide knowledge of the gates and their guardians in the underworld, enabling the deceased to pass through by reciting the correct names and incantations.
- Depiction in QV 66: Corridor and chamber walls depict Nefertari navigating the gates, confronting demonic guardians with magical knowledge. Hieroglyphs list the names of gates and their protectors, ensuring her safe passage.
- Visual Elements: Nefertari is shown with divine guides like Isis and Nephthys, emphasizing her protection. The gates are illustrated as architectural portals with menacing figures.
 
- Spell 148 (Provisioning the Deceased):- Purpose: Ensures the deceased has sustenance in the afterlife, providing offerings like food, drink, and divine nourishment.
- Depiction in QV 66: Side chambers feature Nefertari receiving offerings from deities, with spells ensuring eternal provisions. The imagery includes tables laden with food and drink.
- Visual Elements: The vibrant colors of offerings (e.g., bread, wine, and fruits) highlight the spell’s focus on eternal sustenance.
 
- Spell 151 (Protective Amulets and Figures):- Purpose: Invokes magical protection through amulets, shabti figures, and divine guardians placed around the deceased.
- Depiction in QV 66: The burial chamber includes images of protective deities like the Four Sons of Horus, associated with canopic jars, and amuletic symbols like the djed pillar and ankh.
- Visual Elements: Nefertari is surrounded by protective figures, with hieroglyphs invoking their power to ward off evil.
 
- Spell for Playing Senet (Related to Spell 17 or Variants):- Purpose: Though not always a distinct spell, senet scenes symbolize the deceased’s mastery over fate and chance in the afterlife.
- Depiction in QV 66: A notable scene shows Nefertari playing senet, a board game with ritual significance, possibly linked to Spell 17 or a related incantation. This act represents her control over her afterlife destiny.
- Visual Elements: The senet board, painted in vivid detail, is a rare and striking feature, emphasizing Nefertari’s agency.
 
Artistic and Symbolic Integration
The Book of the Dead spells in QV 66 are not merely textual but are vividly integrated into the tomb’s iconography:
- Hieroglyphic Inscriptions: Spells are inscribed alongside images, written in black or red ink, often in vertical columns. These texts provide the magical formulas Nefertari needed to recite in the afterlife.
- Polychrome Reliefs: The spells are illustrated with scenes of Nefertari interacting with deities, passing through gates, or being judged. The use of vibrant colors (malachite green, ochre red, and lapis blue) enhances their magical potency.
- Symbolic Motifs: Recurring symbols like the ankh, scarab, and djed pillar reinforce the spells’ themes of life, transformation, and stability. The starry ceiling of the burial chamber, representing the heavens, aligns with spells invoking celestial rebirth.
Cultural and Religious Significance
The inclusion of Book of the Dead spells in QV 66 reflects Nefertari’s elevated status and the 19th Dynasty’s sophisticated funerary practices. The spells emphasize:
- Divine Connection: Nefertari is depicted as a near-divine figure, equated with goddesses like Hathor and Isis, aligning with spells that grant her divine powers.
- Afterlife Journey: The spells map out a structured journey through the underworld, with Nefertari overcoming obstacles to join Osiris in eternal life.
- Royal Ideology: The tomb’s focus on Nefertari’s purity and divine favor underscores the pharaoh’s divine lineage, as she was a key figure in Ramesses II’s reign, known for her diplomatic role in the Hittite peace treaty.
Conservation and Study
The spells’ inscriptions and paintings have faced preservation challenges due to humidity, salt crystallization, and tourism-related damage. The Getty Conservation Institute’s restoration (1986–1992) stabilized the plaster and pigments, ensuring the spells’ legibility. Ongoing studies, including pigment analysis and 3D mapping, continue to reveal details about the spells’ application and artistic techniques. The tomb’s restricted access (limited to small groups with special tickets) protects these delicate features.
Notable Observations
- Selectivity: Unlike some papyri containing dozens of spells, QV 66’s selection is curated, focusing on key spells like 17, 125, and 144–147, tailored to Nefertari’s royal status.
- Artistic Mastery: The integration of text and image in QV 66 is among the finest in the Valley of the Queens, rivaling the best tombs in the Valley of the Kings.
- Missing Artifacts: While the spells are well-preserved, Nefertari’s mummy and most funerary goods (which may have included spell-inscribed papyri) were looted, limiting our understanding of additional spells that might have been included.
Conclusion
The Book of the Dead spells in QV 66 are a cornerstone of Nefertari’s tomb, blending magical texts with stunning visual art to ensure her eternal protection and divinity. Spells like 17, 125, and 144–147, depicted through vivid reliefs, highlight her journey through the underworld and her divine status. These spells, preserved through meticulous conservation, offer a profound glimpse into ancient Egyptian beliefs and the artistry of the 19th Dynasty. For further details on visiting QV 66 to view these spells www.HurghadaToGo.com

 
				






















































 
						 
						